Wednesday Wadio: Goonies 'R' Good Enough.

"Don't you realize? The next time you see sky, it'll be over another town. The next time you take a test, it'll be in some other school. Our parents, they want the best of stuff for us. But right now, they got to do what's right for them. Because it's their time. Their time! Up there! Down here, it's our time. It's our time down here. That's all over the second we ride up Troy's bucket." - Mikey

The video for this song is emblazoned on my memory like a makeshift coathanger cattle brand. Cyndi Lauper and the child cast of 1985's The Goonies run around various sets from the film whilst being pursued by professional wrestlers of the day. Steven Spielberg's mullet makes an appearence. The octopus (which was cut from the final print of the film) dances along to the breathtakingly strange accompanying song. As I was very in to giant squids, Rowdy Roddy Piper and The Goonies that year, I sat glued to my favorite Canadian video show every night religiously after school hoping for a Goonie-glimpse.

On the eve of the film's 20th anniversary, and a possible sequel in the works, I thought I'd add this strange-but-catchy little tune to Radio Pye. Forget Time After Time and Girls Just Wanna Have Fun - this is Cyndi's best work, and the only video she ever made in which that most creepy boyfriend of hers did not also appear. Whoops, I spoke too soon. Upon review it looks like he played the right honorable Captain Lou Albano's flunkie. Maybe that trusty cattlebrand needs to be reheated.

"During the scene where the boys are sitting in the living room watching MTV, they were not actually watching the Cyndi Lauper "Good Enough" video, which was to be developed six months after filming wrapped up." - IMDB

Peaking at #10 on the Billboard charts, Goonies 'R' Good Enough was shat out by popular culture almost as quickly as it appeared. The cult following of the film cannot be denied, and recently New Found Glory covered the tune on a compilation called "From Your Screen to Your Stereo". Quintessential 80s synth handclaps, xylophones and Cyndi's harpy-like voice combine and draw off elements of the film's original score to create a passable musical tie-in. And when I say passable, I of course mean awesome.